8 by 8

I am a big fan of the Courtauld Gallery. It has a wonderful collection of Impressionist and Post Impression painting but on a recent visit I was particularly taken by the Seurat Sketches in Gallery 11b. There are half a dozen oil sketches all about 8 x 6 inches, mostly done as studies for bigger work. I found myself drawn to them, going back again and again, to study them. In these sketches Seurat is experimenting with techniques and working with a limited palette. I found them very fresh and exciting as works in their own right.

And it got me to thinking about setting myself a project; to create my own series of small oil paintings with a restricted palette using no brushes, just a palette knife.Using a palette knife stops me fiddling and allows me to work the paint impasto in an almost sculptural manner. I also opted for a square format, measuring 8 x 8 inches (20 x 20 cm.). The square format presents its own compositional challenges but opportunities too. So far I have got two paintings which cut the mustard, at least in my own terms, "Le Jazz" and "The Show Must Go On!". With Le Jazz there is a lot of scumbled and glazed colour. The physicality of the paint is more apparent with heavier impasto in The Show Must Go On! There are others, works-in-progress, and I am enjoying experimenting, very invigorating. Another six to go for my little "8 x 8" series. Watch this space!

Down came the rain

"The Show Must Go On!"

oil on canvas

8 x 8 in. / 20 x 20 cm.

Open air jazz festivals are always going to be somewhat problematic in this country given our wayward weather. I remember trying to sketch a group of jazz aficionados huddling under umbrellas during a July thunderstorm, while I was holding an umbrella and my sketch book in one hand and drawing with the other. Not ideal! That moment is commemorated in this painting with the audience watching on under their umbrellas while the girl in the yellow dress tries to shelter the trumpeter and sax player under her umbrella.

A couple of the original moleskine sketches

Le Jazz

oil on canvas

8 x 8 in./ 20 x 20 cm.

Based on a series of sketches of the Dutch Swing College Band which I did a couple of years ago at a jazz festival. Using sketches of Marcel Hendriks on piano and Adrie Braat on double bass, to which I have added the singer in the red dress to suit my composition. I often work listening to Jazz, particularly a French internet radio station called Jazz Radio , "La Radio de tous les Jazz". Hence the title of the work, "Le Jazz"! Done just using a palette knife to stop me from fiddling with the detail.

Two of the original moleskine sketches

Note : the painting is not up on my web-site yet..

A Marriage of Form and Dance

I've just added a set of new images of my bronze sculpture, "Twisting Form", to my flickr site. These images show the work from different angles. In doing so they reveal the inspiration for the work. As a visitor to my flickr site has commented, they are "a real marriage of female and organic forms and dance" (sic).

I thought it was a most apt description of this piece which started off as an organic abstraction from the maquette for my figurative sculpture, "Primavera". "Twisting Form"then picked up some Latin American rythms as I worked, listening to CD's of Cuban Jazz.

See all seven in the set for yourself on flickr by clicking here .

JP at the Jazz

Back in June I promised to publish some more sketches done on my Apple iPod Touch using the Jackson Pollock App.

During the Marlborough Jazz Festival in July I did dozens of sketches in more traditional media; pencil and brush pen, trying to capture the energy of the musicians and the excitement of their performances. Based on these sketches I have now created a series of images drawn with my forefinger on the touch sensitive screen of my iPod using the JP App.

The Jackson Pollock App simulates the drip painting technique of the eponymous abstract expressionist painter. There is no "undo" function so you can't correct any mistakes. You have to respond to marks already made just as Jackson Pollock did in real life. This makes for quick, gestural drawings, which encourage you to work quickly to capture the moment.

The colour options I opted for, echo I think, the spirit of jazz and the buzz of live performance. You can see a selection of these iPod sketches by clicking on my flickr image library site and judge for yourselves.

Moleskine - Van Gogh, Picasso and me

So I am in legendary company, as the leaflet inside each Moleskine sketchbook reminds me.

Over the years I have used many sketch books, in all sizes and shapes. Given a choice, I have a preference for paper with a bit of "tooth" but in truth will draw in whatever comes to hand, just to get an idea or observation down. I have a collection of half-filled and empty sketchbooks in various formats which I choose from, like trying on different shirts before going out.

On a recent trip to Lyon in France, I opted, for the very first time to go for one of the Moleskines, in the format a bit narrower than A5, and slipped it into my bags with a couple of drawing pens and 4B pencils in my plastic Muji pencil case. On my way down the A6 autoroute I stopped for lunch in an "aire de repos", motorway services which are really just picnic areas with toilets. They can be quite picturesque settings with tables scattered in the shade of woodland trees, sometimes with stunning views and very tranquil - a welcome respite on the long drive down from Le Havre.

The one at Parc Thiery didn't disappoint. And it was there that I pulled out the Moleskine and start sketching. The paper is thick, very smooth and creamy coloured, almost yellowish. But best of all, I found that, because of the way the paper is sewn in, you can open the double page up and it will lie flat. So you can draw on a page 10 by 8 in. (260 by 205 in mm.). It was a busy stay in Lyon and I didn't get a chance to do as much drawing as I would have liked but I did get the chance to take advantage of the Moleskine's double-page spread while sketching a puppeteer in the Place du Change with an audience of bystanders watching on.

Whilst in Lyon I also came across Lyra Aquabrush pens which have two ends. One is a very fine drawing pen and the other behaves like a brush allowing you to vary the weight of the line and create very gestural marks. And they work great on the Moleskine sketch-book paper. On my return to the UK I found that they were readily available here too on the internet but I had never seen them before.

So when I decided to do some sketches of the performers at the Marlborough Jazz Festival in early July I took a couple of the Lyra brush pens with me alongside the 4B's. The jazz festival was very lively at most venues and it wasn't always the easiest environment to draw in but I found the Moleskine's hard cover allowed me to draw using the two page format even when standing jammed in a corner. I am particularly pleased with the use of the Lyra pens which I feel helped to capture the movement of the performers and the energy of the music. For me, the ones of the Dutch College Swing Band were particularly successful in capturing the enthusiasm of the musicians which belied their age and appearance. They wore grey pin-stripe suits, like bank managers, but with bright red ties!

I have posted some of the sketches from Moleskine Sketchbook 2009/1 and the ones of the Jazz Festival up on Flickr if you want to take a look. My Moleskine has definitely become my sketch book of choice when out and about and I plan to continue to add to my Flickr library from time to time. You can bookmark my photostream or sign up for the RSS feed on Flickr if you want to keep up with what I've been up to.