More affordable sculpture

These four sculptures are currently on exhibition at the Royal Birmingham Society of Arts until Christmas Eve. I carved the originals in limestone and then made moulds from which I cast these reproductions in Jesmonite. Jesmonite is a composite material used by museums and galleries around the world to create replicas of their prize works.

I use my own blend of aggregates to add to the Jesmonite which allow me to create these pieces with the look and feel of polished limestone. Cast solid in editions of 100, each piece is signed and hand-finished by me using exactly the same tools that I use for my carved originals. And importantly these sculptures are available at a price one-third that of my investment bronzes, making these more affordable sculptures available to a wider audience.

Primavera

73 x 25 x 20 cm.

Primavera (Spring) is the first in a series of four sculptures, my Quattro Stagioni (Four Seasons) series. Each sculpture depicts a female torso morphing into a plant form, representing a season of the year. With Primavera the figure has the head of a crocus with the hands and facial features just beginning to reveal themselves as the new growth of Spring emerges.

Reclining Torso

57 x 14 x 15 cm.

Carved originally from a shard of Cotswold limestone, the female figure in Reclining Torso is gradually revealed as if found in an archaeological dig.

The Sun-Worshipper

38 x 30 x 4.5 cm.

Carved in relief, again from a block of limestone, The Sun-Worshipper was inspired by a lizard sunning itself against a wall outside my studio one summer's day..

Arch

30 x 31.5 x 5 cm.

Arch is another relief carving with the figure sitting within an arched window.  

"Bronze" at the Royal Academy

As a sculptor who works in bronze I must start by complimenting the Royal Academy.  The audio visual displays in Gallery 2 helpfully and successfully explains what is the complex process of bronze casting, using models of each stage and short but informative videos. However I have to say I found that the video of the Indian foundry where they were pouring molten bronze in bare feet, made me wince!

The exhibition includes some of the finest examples of bronze sculpture from the past 3,500 years and is organised thematically rather chronologically with separate galleries for Figures, Animals, Objects, Gods, Heads and Reliefs. In scale they range from tiny objects of adornment to over-life size figures some 2.5m tall. Both aesthetically and technically there are some major tour de force works on display but the highlights for me were the pieces which spoke to me, some of the oldest and arguably simplest.

First of all there was the elongated Etruscan Votive Figure, Evening Shadow (Cat 32) which apparently was a work which influenced Giacometti. You can see how and why straight away. The notion of the cast shadow has intrigued human beings from time immemorial and in this case from the second century BC. Then there were two wheeled pieces, the 7th century BC Cult Chariot of Strettweg (Cat 22) and the Chariot of the Sun (Cat 7) from the 14th century BC, which combine amazing craftsmanship with powerful symbolism. Another Etruscan piece caught my eye, the Christophe Cista from 350BC (Cat 27) with impressive engraving and a charming grouping of two figures carrying a female figure on top.

In the Reliefs Gallery the inlaid bronze of the first century BC, Mensa Isiaca altar table top (Cat 39), stood out. And the almost primitive series of four 6' tall bronze panels, an exercise in progressive reduction over 20 years, by Matisse in Backs I-IV (Cat 142) were fascinating. There is also an interesting comparison in approach to Portraits between the simplicity of Medardo Rosso's Ecce Puer and the ornate extravagances of materials in Charles Henri-Joseph-Cordier's Jewess from Algeria (Cat 133).

The "Bronze" exhibition is testament to Man's skill, imagination and ambition in creating lasting objects of wonder for thousands of years in this material which still has the power to enchant us today. The exhibition runs until 9th December 2012.


And if, having seen the exhibition, it gives you the taste for owning some bronze sculpture you can always visit my web-site to see the pieces I currently have for sale by clicking here. As well as being, I hope, visually attractive most of my work is also highly tactile, the sensation of touch being an important aspect of my sculptures in bronze, and in stone for that matter.

Mantegna to Matisse

Five hundred years of drawing are represented by 60 works in Mantegna to Matisse: Master Drawings from the Courtauld Gallery on exhibition in London from 14 June until 9 September 2012. From quick, observed sketches, through studies to fully resolved drawings intended as works in their own right, here is a wonderful opportunity to see how Artists of the western tradition have used drawing over the centuries to explore their subjects. There is always something intimate about the medium, whereby I look at a drawing from the same kind of distance as the Artist did, and feel that I am almost standing in his shoes. The raw, unfinished state of sketches allows you some insight into the Artist's focus at a  moment in time. So each drawing is always exciting in what it reveals about their process. And this exhibition of Artists from Leonardi Da Vinci, Michelangelo, Durer, Rubens, Rembrandt, Ingres, Canaletto, Turner, Cezanne, Degas, Picasso and many others, did not disappoint. Truly an embarrassment of riches!

Here are a few of my personal favourites:-

Seurat - Female Nude

"Very sculptural and just so sensual"

Pontormo - Seated Youth

"Fresh and contemporary - lovely quality of line"

Rembrandt - Saskia sitting up in bed, holding a child

"A moment captured"

Leonardo da Vinci - Study for Saint Mary Magdalene

"The great man thinking, through his drawing"

Van Gogh - A Tile Factory

"Very singular mark making"

Toulouse Lautrec - Au Lit

"Love the focus on the face. Most touching."

I could go on but I might spoil the many surprises to be found when you visit. The exhibition is beautifully hung, as you would expect at the Courtauld, one I can heartily recommend. A very nice tea-room too!

"Rock Drill" - Sculpture meets Star Wars

You have only until 24th January to see the stunning recreation of Jacob Epstein's revolutionary sculpture, "Rock Drill", by Ken Cook and academician Ann Christopher at the Royal Academy in London.

Originally created in the period 1913-15, Epstein mounted his white man-as-machine humanoid figure on an actual rock drill from a quarry, to create a terrifying de-humanising vision of a world to come.

Epstein later, sold the drill, sadly cut off the legs and had the torso cast in bronze but it then lacked the terrifying impact of the original assemblage. Seeing it recreated here at the Royal Academy, one is reminded of the conflicts on an industrial scale of the 20th Century, which it seems to presage. To a younger audience who have grown up with the films of George Lucas's it must appear familiar in its resemblance to the droids of Star Wars.

"Rock Drill" is, for me, the centre-piece at "Wild Thing", an exhibition of sculpture by Epstein, Gaudier-Brzeska and Gill, three sculptors who are said to have brought about the birth of modern sculpture in Britain in the years before the First World War. A fascinating and well curated exhibition it is well worth a visit. For more details see the Royal Academy's website .